Live Music.
Multi-cam capture and live production built around the artist. We chase the moment the room turns — and we don't miss it.
Performance, captured up close.
Multi-camera coverage built around the artist's performance — close, kinetic and cut to the song.
How a project comes together.
Read the Show
We sit with the setlist, the production design and the lighting cues, then build a camera plan tuned to the performance — not pasted onto it.
Multi-Cam, In the Room
Up to 8+ cameras, ISO recording on every angle, board feeds and ambient capture. Operators briefed on the moments that matter.
Edit to the Song
Editorial cut to a synced multitrack mix. Color and finishing for streaming, broadcast or theatrical — and short-form for socials.
What you can expect.
Capture
- ◆Multi-cam (4–12+ cameras)
- ◆ISO recording on every angle
- ◆RF, gimbal, jib, dolly & handheld
- ◆Audio: board feeds, ambient & multitrack
- ◆Festival, theater, club & private shows
Post & Delivery
- ◆Editorial cut to live multitrack
- ◆Color grading & finishing
- ◆Live-album & visual-album packages
- ◆Tour-pack & promo cut-downs
- ◆Streaming, broadcast & social masters
What collaborators say.
“They don't just point cameras at a stage. They watch the show and they cut to the music.”
“Best live capture we've had. Every angle was usable, every moment we wanted was there.”
Common questions.
Most shows land between four and eight cameras with full ISO recording. We've scaled to twelve-plus for festival headline slots and visual albums.
Yes — we coordinate board feeds, ambient mics and multitrack capture, then sync everything in post. We can also bring in dedicated audio teams when the show calls for it.
Yes. We build tour packages that capture multiple nights, multiple venues, and deliver tour-pack edits, social cut-downs and a live-album master.
Same-night or next-day rough cuts for socials are standard. Full editorial and color for a live-album release runs four to eight weeks depending on scope.